Marable’s Weblog

April 30, 2008

Nelson Rangell – Musican Jazz

Filed under: Musicans — Tags: , , , — marable @ 12:11 am

Biography

Jazziz magazine writes that Nelson Rangell is “an artist of depth, a master of song, and an improviser non pareil.” The Times of London notes “his extraordinary facility on a range of instruments and his undoubted virtuosity,” adding that Nelson is “one of fusion’s most accomplished exponents.” Such praise is a confirmation of what contemporary jazz fans have known since the Denver based saxophonist emerged in the late 80s: that Rangell is one of the most exciting and diverse performers in the genre, equally adept at soprano, alto, and tenor saxophone, as well as being a genuine virtuoso on flute and piccolo.

Rangell is the fourth child in a musical family. His brother, Andrew, is a well known concert pianist living in Boston; his brother, Bobby, lives in Paris and is a leading woodwind player in European jazz and studio scenes. His sister, Paula, is a professional singer living in New Orleans.

Rangell first played flute at the age of 15. Within six months he was studying both classical and jazz music at The Interlochen Arts Academy, a national camp for gifted music students. He went on to attend The New England Conservatory of Music in Boston. As a student he twice won Down Beat Magazine’s prestigious National Student Recording Awards competition both as best jazz and best pop/rock instrumental soloist. After college he headed to New York in 1984 to pursue his career.

The next four years were spent “paying dues”, sitting in, playing alongside, and gigging with some of the world’s greatest contemporary jazz musicians including Hiram Bullock, Jorge Dalto, Eric Gale, Richard Tee, Jaco Pastorius, David Sanborn and many others. He also found occasional employment with the legendary Gil Evans Monday Night Orchestra and worked on many commercial jingle recording sessions. Rangell’s 1987 debut album was released on Gaia/Gramavision Records, but soon thereafter he was signed by Larry Rosen and Dave Grusin at GRP Records.

A succession of albums followed at GRP where he recorded eight CDs, beginning in 1989. His stated ambition throughout these endeavors has been “to grow and evolve as a player and artist while making music that people can easily relate to in a form that is substantive.” With his musical armory encompassing flute, piccolo, alto, tenor and soprano saxophone as well as whistling, he was well equipped to fulfill this desire. He has recorded with The Rippingtons, Chuck Loeb, Patti Austin, Tom Browne, and The GRP All Star Big Band to name a few and is featured on Don Grusin’s Grammy nominated CD “The Hang.” Though Rangell has recorded mostly in the contemporary/pop and smooth jazz formats garnering top radio play and a large audience, The Times of London notes “heard live a much more robust and idiosyncratic player emerges.” In the late 90s Rangell continued his career with Shanachie Records and has now released 14 CDs nationally and internationally.

Now with Koch Records, Nelson Rangell has recorded two wonderful new CDs in less than a half a year. His first Christmas CD “All I Hope For Christmas” has been critically well received and has been called “an instant holiday classic” by Jazzreview.com. Rangell’s newest Koch Records release is titled “My American Songbook (vol.1)” and is Rangell’s most exciting, unique and artistic recording to date. Nelson Rangell plays ten new arrangements of American classics as diverse as Leonard Bernstein’s “America” from West Side Story, The Appalachian Bluegrass Fiddle hoe down “Freda”, and Earth Wind and Fire’s “That’s The Way of The World.” “My American Song Book” will break new musical ground for Rangell as he truly continues his path of artistic growth and evolvement.

Website:  www.nelsonrangell.com

April 29, 2008

Warren Hill – Musican – Jazz

Filed under: Uncategorized — Tags: , , , — marable @ 8:56 pm
Warren Hill
Biography

Saxophonist Warren Hill was born in Toronto; one of five children, he began playing guitar at the age of eight, and by his teens was fronting a local rock group. Originally he turned to the sax only to play in his school band, making the instrument his total focus following his introduction to jazz during a summer program at the Eastman School in Rochester, New York; influenced by David Sanborn, Hill played each weekend in a local combo while studying physics at the University of Toronto, eventually dropping out to pursue music full time. A stint at Boston’s Berklee College of Music followed, and on Graduation Day 1988 he was given several featured solos; in the audience was producer Russ Titleman, who immediately hired Hill for a session with Chaka Khan. He soon relocated to Los Angeles, recording a demo tape which eventually landed him a deal with RCA; Kiss Under The Moon, Hill’s debut LP, appeared in 1991, and was followed by a stint backing Natalie Cole on her Unforgettable tour. Scoring a NAC chart-topper with 1993’s “The Passion Theme” (from the film Body of Evidence), he next issued the album Devotion, returning in 1995 with Truth. With 1997’s Shelter, Hill began featuring his vocals as well as his instrumental skills; Life Thru Rose Colored Glasses followed in 1998 and Love Life was issued in August 2000. ~ Jason Ankeny, All Music Guide

Mike Phillips – Musican Jazz

Filed under: Musicans — marable @ 8:41 pm
Mike Phillips
Biography
Mount Vernon, NY, native Mike Phillips became interested in music at a young age, moving through several different instruments before settling on the saxophone. By the age of 16, he had decided to play professionally. He made an impromptu New York debut at Wilson’s nightclub in New York in 1993, and that led to a series of session and sideman jobs in jazz, R&B, and even rap. Eventually, he attracted the attention of Hidden Beach Recordings, which signed him and put him on the road in the summer of 2001 opening for Jill Scott. Phillips’ debut album, You Have Reached Mike Phillips, was released by Hidden Beach in May 2002. ~ William Ruhlmann, All Music Guide
Selected Discography

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William Woods – Musican Jazz

Filed under: Musicans — Tags: , , , — marable @ 8:34 pm
Every Part Of Me
About This Album
Familiarity breeds contentment, particularly among William Woods‘ smooth jazz fans. With Every Part of Me the medical doctor/pianist/composer rejuvenates his listeners with fresh, funky finesse on 11 new songs. Unlike Woods‘ 2005 Smoothie Award winner Cobalt Blue, his jazz piano voicing skills emerge from a darker space and logically progress into more exotic, advanced chords and substitutions as the program continues. “Alive, Living in Jersey,” “Every Part of Me,” and “As I Breathe You” are delivered with heartfelt emotion in a smooth jazz state of mind. Intuitive chord structures abound on “Under the Radar,” as it gives Woods the chance to flaunt his beautiful technique. The highlight of the session is Woods‘ haunting melody on “The Fire Within.” With the addition of flute, unusual changes, and shifting dynamic shadings, this song exudes soulful musical colors with its captivating sound. The Latin pulse underneath provided by percussionist Glen Caruba adds another noticeable dimension that Woods‘ fans are sure to enjoy. ~ Paula Edelstein, All Music Guide
Track List (try tracks 1,4 and 11)

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Similar Albums

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Bob James, Kirk Whalum – Musicans Jazz

Filed under: Musicans — Tags: , , — marable @ 8:20 pm
Bob James, Kirk Whalum
Biography

Bob James’ recordings have practically defined pop/jazz and crossover during the past few decades. Very influenced by pop and movie music, James has often featured R&B-ish soloists (most notably Grover Washington, Jr.) who add a jazz touch to what is essentially an instrumental pop set. He actually started out in music going with a much different direction. In 1962, James recorded a bop-ish trio set for Mercury, and three years later his album for ESP was quite avant-garde, with electronic tapes used for effects. After a period with Sarah Vaughan (1965-1968), he became a studio musician, and by 1973 was arranging and working as a producer for CTI. In 1974, James recorded his first purely commercial effort as a leader; he later made big-selling albums for his own Tappan Zee label, Columbia, and Warner Bros., including collaborations with Earl Klugh and David Sanborn. James remains relatively busy in the studio and since 2000 has released several albums including Dancing on the Water in 2001, That Steamin’ Feelin’ in 2002, Hi-Fi in 2003, and Urban Flamingo in 2006, among others. ~ Scott Yanow, All Music Gui

April 28, 2008

Mike Phillips – Musican Jazz

Filed under: Musicans, Wordpress — Tags: , , — marable @ 10:35 pm
Mike Phillips
Biography
Mount Vernon, NY, native Mike Phillips became interested in music at a young age, moving through several different instruments before settling on the saxophone. By the age of 16, he had decided to play professionally. He made an impromptu New York debut at Wilson’s nightclub in New York in 1993, and that led to a series of session and sideman jobs in jazz, R&B, and even rap. Eventually, he attracted the attention of Hidden Beach Recordings, which signed him and put him on the road in the summer of 2001 opening for Jill Scott. Phillips’ debut album, You Have Reached Mike Phillips, was released by Hidden Beach in May 2002. ~ William Ruhlmann, All Music Guide
Selected Discography
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Braxton Brothers Musican Jazz

Filed under: Musicans, Uncategorized — Tags: , , — marable @ 10:27 pm
Braxton Brothers
Biography
The San Francisco-based smooth jazz duo of twin brothers Nelson (bass) and Wayne Braxton (saxophone) first took shape when both siblings joined the school band during the fourth grade. By high school, each was a perennial member of the California All-State Honor Band; while Wayne went on to Cal State Northridge, performing as a member of the school’s celebrated Jazz A Band, Nelson instead studied tuba at San Francisco State University, later touring Europe as part of the San Francisco Symphony Youth Orchestra. The brothers were later reunited at SFSU, collaborating there in a jazz quartet; they were also both honored as selections to the Disney All-American collegiate band. Upon turning professional, Nelson toured with Najee, while Wayne worked with Sheila E.; as the Braxton Brothers, they debuted in 1996 with Steppin’ Out, which was originally released on the tiny Kokopelli label but later licensed for reissue by Windham Hill, where it generated the NAC smash “When Love Comes Around.” Now and Forever followed in 1999. ~ Jason Ankeny, All Music Guide

Richard Clayderman Musican Jazz

Filed under: Musicans — Tags: , , — marable @ 10:23 pm
Richard Clayderman
Biography
With his lush, sophisticated, instrumental, approach to pop music, Richard Clayderman (born: Phillipe Pages) is, according to The Guinness Book of World Records, “the most successful pianist in the world.” Clayderman’s albums routinely sell millions of copies and his concerts are quickly sold out. In a review of his 1985 Carnegie Hall concert, Variety wrote, “(Clayderman’s) main appeal lies in his youth and boyish good looks…coupled with his gentlemanly charm and his thick French accent, they promise to rope in the romantically inclined middle-aged Yank ladies who cotton to this ilk of soothing entertainment.” Nancy Reagan referred to Clayderman as “the prince of romance.” Instructed in classical piano by his father, Clayderman enrolled in the Paris Conservatory of Music at the age of twelve. Four years later, he placed first in a piano competition at the school. Despite his classical background, Clayderman opted for popular music when he launched his professional career. A tour as opening act for French rock musician Johnny Hollyday introduced him to an international following. Clayderman’s debut album, Ballade Pour Adeline, recorded at the urging of producers and composers Oliver Toussaint and Paul De Senneville in 1977, sold more than twenty million copies and was distributed in 38 countries. Clayderman, who took his stage name from his Swedish grandmother, has continued to tour throughout the world to enthusiastic audiences. A live concert, broadcast on Chinese television in 1987 attracted more than 800 million viewers. ~ Craig Harris, All Music Guide

April 4, 2008

Respond better to difficult people and they won’t get you down.

Filed under: Health & Wellness Tips — Tags: , , — marable @ 2:40 am

Float Above the Fray

WebMD Feature from “Natural Health” Magazine

By Toni Klym McLellan

Respond better to difficult people and they won’t get you down.

Problematic people—like strident bosses, selfish colleagues, or indifferent salesclerks—invariably bring out the worst in us. They make us feel angry and helpless. If you deal with them on a daily basis, they can interfere with your health, your productivity, and, ultimately, your peace of mind.

To regain your equilibrium, you’ll want to change the way you respond to difficult people, says Nando Pelusi, Ph.D., a licensed clinical psychologist in New York City. The goal is not only to find peace with them, he advises, but also to find ways to hop gracefully over common emotional pitfalls. Here are some typical reactions and healthier ways to respond:

Outrage

If your blood pressure rises every time you interact with difficult people, think of them as a hassle, not a horror, says Pelusi. Be assertive, not aggressive. Stand up for yourself by sticking to the facts without getting personal. And remember to take a deep breath and remind yourself that their behavior is about them, not you.

Obsession

If you continually obsess about difficult relationships, you may be falling prey to the idea that you can change people. “Usually you’re thinking, ‘There’s a right way to behave, and it should apply to everyone,’” says Pelusi. Challenge your inner demand for uniform, fair, or kind treatment, he advises, and recognize that some people will always be obnoxious. Once you lower your expectations, you can reduce obsession to a healthy annoyance. Think of difficult people as obstacles in the road—accept that they exist so you can swerve around them instead of colliding with them.

Hurt Feelings

Acting wounded can fuel a difficult person’s negative behavior, adds Pelusi. “Difficult people take advantage of those who need approval.” You don’t have to squelch your emotional nature, but you do want to lessen your vulnerability. First, imagine your typical reaction to difficult behavior. Then visualize changing your emotion from hurt to indifference. With practice, your body will learn to respond with greater calm in real situations.

Originally published on February 1, 2008

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